- The Blurb...
Not long after a disease leaves thousands dependent on blood transfusions, the UK’s blood reserves are stolen overnight.
The government’s response? Make blood into currency.
The stolen blood is sold by dealers being controlled by a mysterious implant.
Ginley and Sara, two rival political journalists with opposing agendas, cover the government’s handling of a country thrust into crisis. As they find out more about the blood heist and the implant, a political story turns personal, and they have to put their differences aside and work together to unravel a colossal conspiracy.
*contains some traumatic and disturbing scenes
- Our Review...
- Selected Quotes...
As the bigger picture becomes increasingly bleak, the people who can afford to, and I include those of a left-wing persuasion in that description, the ones who claim to be full of compassion and empathy, they’re going to start ignoring the bigger picture and do only what they need to do to survive.
Lightfoot wanted to emulate what Starmer had done, and surround himself with competent, if unexciting, people. He wanted the X-Factor days of politics to be over. For voting to be about competency again, rather than a popularity contest. It would be easier to extinguish the fires if all the arsonists were out of the picture.
By learning the lessons from Covid-19, Lightfoot prioritised lives over the economy. Whereas, during Covid-19, the Tories had tried to prioritise the economy over lives, yet still managed to trash the economy.
Does it really matter? Think of all the evil bastards that run companies. Mum often writes columns about them. The kind of bastards that run fashion chains which have sweatshops in Bangladesh and use materials that are bad for the environment, or the sportswear chain that abuses those awful zero-hour contracts, or the pub chain that treats their staff like the shit on the soles of their shoes, or just all shareholders and directors in general, getting away with not paying their taxes even though they have billions in the bank whilst the little guy gets shafted. Why is the money going to an ‘international crime syndicate’ so bad? It’s just a different kind of crook, innit.”
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- About The Author
Harrison Murphy is a writer from Motherwell, Scotland. His Chrysalis trilogy focuses on the societal impact of an fictional (yet conceivable) implant which revolutionises the 2030s. It allows for something akin to cosmetic surgery, but for the mind. He released Chrysalis in March 2022, Dandelion in November 2022, and Elephant in April 2023. He is now working on three standalone works loosely inspired by the afterlife, reality TV and Rapunzel.