Sunday, March 2, 2025

The Wager by David Grann

    

Rating 4⭐s
You can buy The Wager....Here
You can find out more about David Grann...Here

  • The blurb...
On 28th January 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While chasing a Spanish treasure-filled galleon, the Wager was wrecked on a desolate island off the coast of Patagonia. The crew, marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing 2,500 miles of storm-wracked seas. They were greeted as heroes.
 
Then, six months later, another, even more decrepit, craft landed on the coast of Chile. This boat contained just three castaways and they had a very different story to tell. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with counter-charges of their own, of a tyrannical and murderous captain and his henchmen. While stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang

  • Our Review...
This is a fascinating book on many levels. In general it gives a captivating look in into the perils of the 18th Century British Fleet. In particular it focuses on HMS Wager a small ship, that is part of a larger squadron charged with hunting down a Spanish Galleon laden with Gold heading from South America back to Spain. 

This has the feel of novel that cunningly disguises itself as non fiction, documentary history and it really is the best of both worlds. Its a very clever mix if you can pull it of and Grann can. I have read some adventure novels where the author has tried to shoehorn too much research in. The result is the narrative is busting at the seems. The author has just altered the receptacle for his research and called non fiction and it fits well.

The first thing that hits is that the body count is bloody horrific.... The crew are not fit to be called a crew. They are old, drunks, the infirm and the press-ganged. You may think the Spanish are the main enemy and they may kill a few of our heroes. Alas disease and storms are the real killers and they kill something like 90% of the squadron. Its downright barbaric. Nobody today would even entertain going to see in those circumstances. So hats off to our suicide mission loving ancestors.

All this before the ship wrecks on what is now Argentina and what is left of the crew descend into starvation and chaos. Its like Lord of the Flies for adults. They break into disparate groups. Murder occurs, the captain is ignored and rule of law breaks down. Eventually two groups make it back to GB and then the propaganda battle starts. Both  sides captain and mutineers spin their tales to the admiralty and a deadly game of guess whose truth. 

I read this on kindle and the story surprisingly ended at 63% of the book. However as an added bonus from there on there were numerous photos and research documents. 

Really is a fascinating tale,


  • Selected Quotes...

As Samuel Johnson once observed, “No man will be a sailor who has contrivance enough to get himself into a jail; for being in a ship is being in a jail, with the chance of being drowned.”

Byron confronted an inescapable truth of the wooden world: each man’s life depended on the performance of the others. They were akin to the cells in a human body; a single malignant one could destroy them all.

According to tradition, a body to be buried at sea was wrapped in a hammock, along with at least one cannonball. (When the hammock was sewn together, the final thread was often stitched through the victim’s nose, to ensure that he was dead.)

“Below forty degrees latitude, there is no law,” a sailors’ adage went. “Below fifty degrees, there is no God.”

They knocked down cabin partitions, to make more room for the gun crews; dumped overboard any livestock that was in the way; and tossed any unnecessary timber that might shatter under fire and rain down lethal splinters. Sand was sprinkled on the decks to make them less slippery. Men working the cannons were given rammers and sponges and priming irons and horns and wads and—in case of fire—tubs of water. Down in the magazine room, the gunner and his mates distributed gunpowder to the powder monkeys, who then ran them up the ladders and through the ship, making sure not to trip and cause an explosion before the battle had begun. Lanterns were extinguished, and so was the galley stove. In the bowels of the orlop deck, George Allen, who had begun the voyage as a twenty-five-year-old surgeon’s mate and through attrition became the chief surgeon, prepared with his loblolly boys for the expected casualties—building an operating table from sea chests, organizing bone saws and bandages, and laying on the floor a sail canvas that would prevent his men from slipping on blood.


  • If You Like This Then You May Like...
Silent Riders Of The Sea by John Gerard Fagan. Review here
Mr Midshipman Hornblower by CS Forester
Master and Commander by Patrick O'Brian

  • About The Author


David Grann is a #1 New York Times bestselling author and an award-winning staff writer at The New Yorker magazine.

His newest book, The Wager: A Tale of Shipwreck, Mutiny, and Murder, will be published in April of 2023. With the twists and turns of a thriller, it tells the true saga of a company of British naval officers and crew that became stranded on a desolate island off the coast of Patagonia and descended into murderous anarchy. The book explores the nature of survival, duty, and leadership, and it examines how both people and nations tell—and manipulate—history.

Grann is also the author of Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, which documented one of the most sinister crimes and racial injustices in American history. Described in the New York Times as a “riveting” work that will “sear your soul,” it was a finalist for the National Book Award and a winner of the Edgar Allen Poe Award for best true crime book. It was a #1 New York Times bestseller and named one of the best books of the year by the TimesWall Street JournalWashington PostLos Angeles Times, Entertainment WeeklyTime, and other publications. Amazon selected it as the single best book of the year.

The book has been adapted into a major motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Lily Gladstone, Robert De Niro, and Jesse Plemons, which will be released in the coming months. For middle schoolers, Grann has also released Killers of the Flower Moon: A Young Reader’s Edition, which the School Library Journal called as “imperative and enthralling as its parent text.”

Grann’s first book, The Lost City of Z: A Tale of Deadly Obsession in the Amazon, was #1 New York Times bestseller and has been translated into more than twenty-five languages. Shortlisted for the Samuel Johnson Prize, it was chosen as one of the best books of 2009 by the New York TimesWashington PostEntertainment Weekly, and other publications. The book, which the Washington Post called a “thrill ride from start to finish,” was adapted into a critically acclaimed film directed by James Gray and starring Charlie Hunnam, Sienna Miller, Robert Pattinson, and Tom Holland.

One of Grann’s New Yorker stories, The White Darkness, was later expanded into a book. Mixing text and photography, it documented the modern explorer Henry Worsley’s quest to follow in the footsteps of his hero, Ernest Shackleton, and traverse Antarctica alone. The story is currently being adapted into a series for Apple starring Tom Hiddleston.

Many of Grann’s other New Yorker stories were included in his collection The Devil and Sherlock Holmes, which was named by Men’s Journal one of the best true crime books ever written. The stories focus on everything from the mysterious death of the world’s greatest Sherlock Holmes expert to a Polish writer who might have left clues to a real murder in his postmodern novel. Another piece, “Trial by Fire,” exposed how junk science led to the execution of a likely innocent man in Texas. The story received a George Polk award and was cited by the U.S. Supreme Court Justice Stephen Breyer in his opinion regarding the death penalty. Several of the stories in The Devil and Sherlock Holmes have also served as source material for feature films, including “The Old Man and the Gun” with Robert Redford and Sissy Spacek, and “Trial by Fire” with Jack O’Connell and Laura Dern.

Over the years, Grann’s stories have appeared in The Best American Crime WritingThe Best American Sports Writing; and The Best American Nonrequired Reading. His stories have also been published in the New York Times MagazineAtlanticWashington PostBoston Globe, and Wall Street Journal.

In addition to writing, Grann is a frequent speaker who has given talks about everything from Killers of the Flower Moon and the importance of historical memory to the dangers of complicity in unjust systems, and from the art of writing and detection to the leadership methods of explorers, such as Ernest Shackleton.

Grann holds master’s degrees in international relations (from the Fletcher School of Law and Diplomacy) and creative writing (from Boston University). After graduating from Connecticut College, in 1989, he received a Thomas J. Watson Fellowship and did research in Mexico, where he began his career in journalism. He currently lives in New York with his wife and two children.

Thursday, February 20, 2025

Claudius The God by Robert Graves

 

Rating 4.5 ⭐s

488 pages
You can buy Claudius The God....Here

  • The Blurb...
Continuing the saga begun in I, Claudius, Robert Graves's Claudius the God is a compelling fictional autobiography of the Roman emperor, published with an introduction by Barry Unsworth in Penguin Modern Classics.

Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. Here he recounts his surprisingly successful reign: how he cultivates the loyalty of the army and the common people to repair the damage caused by Caligula; his relations with the Jewish King Herod Agrippa; and his invasion of Britain. But the growing paranoia of absolute power and the infidelity of his promiscuous young wife Messalina mean that his good fortune will not last forever. In this second part of Robert Graves's fictionalised autobiography, Claudius - wry, rueful, always inquisitive - brings to life some of the most scandalous and violent times in history.

  • Our Review...
There are some spoilers in this review.

Regular readers of our website (if there are any! Give us a shout!) will know that "I Claudius" if one of our favourite novels and Robert Graves autobiography " Goodbye To All That" is probably our favourite autobiography. So it will come as no surprise that we loved this novel. These novels are very accurate in that they get the factual historical points dates, battles, speeches etc correct but the beauty of these tales lies in the colour of the human stories that the author uses to complete the historical outline. It is a potent combination.

Claudius the God is the sequel to I Claudius. In I Claudius we learned the story of how half cripple half idiot fell by luck into firstly surviving the assassination riddled arena of Roman politics and subsequently becoming Emperor of Rome.  In the sequel we follow his tenure as the supreme leader. If anything his life becomes more difficult. The disguise is now lost, those once oblivious to him are now very aware that he is not an incompetent fool. He is now literally a target. In spite of this Claudius tries his best to give good governance and stable leadership to Rome. 

This book is told with such clarity it could be ripped from today's headlines. Any great historical fiction shares the same traits be it Wolf Hall, I Claudius, The Godfather et al the historical contrast is important but not as important as human nature and interaction. The love of power, influence, sex and money are universal through out time. They may be historical novels but are (and always will be) contemporary.

There are three main sections within the book. The story of his friend the loveable rogue Herod Agrippa, his conquest of Britain and his betrayal by his young wife Messalina (who turns out to be a bit of a strumpet.) These threads are set against the back ground of his constant attempts to be a benevolent ruler.

One of the interesting aspects of this book is the first person narrative. Claudius tells his own story in his own words. He is our guide but is he trustworthy. Its his side of history and his story. All his actions seem to be arrived at sensibly and without malice but there is a constant small niggle in the back of your mind as you read. Is he telling the truth? He does seem to have an awful lot of people executed. In addition he yearns to return Rome to a democracy but there is always a reason it cannot be done just yet and he must continue to rule. Is this really the case or is it political spin. 

As every star rises so it falls and Claudius is no exception. Herod Agrippa warns him to trust no one but Claudius has one blind spot his young bride Messalina who has many sexual partners without his knowledge and eventually tries to overthrow him. Claudius is besotted with her and his court is afraid to inform him of her escapades. Eventually he discovers her treachery and avoids the insurrection but the betrayal breaks him in his soul and is left a shell of his former self. He goes within himself and allows others to take the reins of power and eventually comes to sad end. 

I love these books and they constantly remind me of "The Godfather" 


  • Selected Quotes...
Herod himself always insisted that he was congenitally a rogue. To which I would reply, ‘No, you are a fundamentally virtuous man wearing the mask of roguery.

there are fools who pretend to be wise men and wise men who pretend to be fools, but you are the first case I have encountered of a fool pretending to be a fool.

There’s truth in wine

one learns more about a man from ten words which he speaks himself on his own behalf than from a ten-hour eulogy by a friend. It does not matter so much what he says in those ten words: what really counts is the way in which he says them.

reminds me of what you said when we had that mystical idiot John the Baptist beheaded – ‘Religious fanaticism is the most dangerous form of insanity.’

You Romans aim at extending your sway over all mankind, but it does not follow that all mankind will immediately accept that sway. I cannot understand, my Lords, how as rulers of a City as glorious as this is, with its houses like marble cliffs, its shops like royal treasuries, its temples like the dreams that our Druids report when they return from magical visits to the Kingdom of the Dead, you can ever find it in your hearts to covet the possession of our poor island huts.


  • If You Liked This Then You May Like...
The Silver Pigs by Lindsay Davis
The Autobiography of Henry VIII by Margaret George
Wolf Hall by Hilary Mantel

  • About The Author

Robert Graves (1895-1985) was an English poet, translator, and novelist, one of the leading English men of letters in the twentieth century. He fought in World War I and won international acclaim in 1929 with the publication of his memoir of the First World War, Good-bye to All That. After the war, he was granted a classical scholarship at Oxford and subsequently went to Egypt as the first professor of English at the University of Cairo. He is most noted for his series of novels about the Roman emperor Claudius and his works on mythology, such as The White Goddess.

Thursday, January 2, 2025

Strangers On A Train by Patricia Highsmith


Rating 3.5⭐s

You can buy Strangers On A Train...here
You can read an article on Patricia Highsmith...here

The Blurb...
The psychologists would call it folie a deux . . .

'Bruno slammed his palms together. "Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?'''

Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he'll murder Haines's wife if Haines will murder Bruno's father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith's perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. From this moment, almost against his conscious will, he is trapped in a nightmare of shared guilt and an insidious merging of personalities.


Our Review...
The initial concept for the novel is both intriguing and disturbing. If you met a total stranger on a train and decided to swap murder victims could you get away with it? After reading this book I think the answer is yes! with one giant proviso. You must not have any contact after your initial meeting with your murderous conspirator. Alas this does not happen here. The entitled and probably deluded Bruno immediately takes care of his side of the bargain. However the more rational Guy thinks it was all just talk, a bit of fun. The problem now is Guy cannot go to the police as they will see it very differently . He believes that they will see it as "more or less put a hit on his ex wife." Added to this quandary is the fact that Bruno is waiting for Guy to hold up his end the bargain. Bruno begins to pressure Guy into compliance all the while Bruno is becoming slowly obsessed by Guy..

Its at this stage where the two main themes come to play. Firstly the author examines the very human condition of guilt. ( see selected quotes) It wears heavy on Guy driving him down and down. If he confessed then perhaps he wouldn't feel the massive weight of remorse. Is the wretched  guilt of human conscience greater than the guilt awarded by a court of law.? While fascinating I have read this trope a few times before notably in Crime and Punishment and The Secret History. It seems a little odd that in a pre planned murder the angst of guilt should come after the action and not between decision to kill and the action of killing. In the three novels mentioned I think The Secret History's examination of guilt (albeit a group examination) is more realistic as the death isn't planned, so there no time for guilt before the death. 

Secondly the author examines man's duality (see selected quotes). Not good v evil as this is too simplistic as it conjures images of opposing sides ala Jekyll & Hide. The author suggests that opposites are not in fact opposites but sit together perfectly in the same same space. A homogenous inseparable mixture. This is reflected in the characters of Bruno and Guy who both simultaneously hate and like (possibly love?) each other. Two parts of the same whole.

It is very of its time and place. 1950s, wealthy USA. The language and culture can make the narrative seem a little dated. I think it is due an update for TV say modern, working class UK, or intercontinental could be an interesting scenario.

All in all an interesting read and I can see why it has become a modern classic.


Selected Quotes...

“People, feelings, everything! Double! Two people in each person. There's also a person exactly the opposite of you, like the unseen part of you, somewhere in the world, and he waits in ambush.”

The tragedy was not even the first drink, because the first drink was not the first resort but the last. There’d had to be first the failure of everything else

“Society's law was lax compared to the law of conscience”

“I tell him his business, all business, is legalized throat-cutting, like marriage is legalized fornication.”



If You Liked This, Then You May Like This...

Crime & Punishment by Fyodor Dostoevsky
The Secret  History  by Donna Tartt 
Brighton Rock by Graham Greene


About The Author...


Patricia Highsmith was an American novelist who is known mainly for her psychological crime thrillers which have led to more than two dozen film adaptations over the years.


She lived with her grandmother, mother and later step-father (her mother divorced her natural father six months before 'Patsy' was born and married Stanley Highsmith) in Fort Worth before moving with her parents to New York in 1927 but returned to live with her grandmother for a year in 1933. Returning to her parents in New York, she attended public schools in New York City and later graduated from Barnard College in 1942.

Shortly after graduation her short story 'The Heroine' was published in the Harper's Bazaar magazine and it was selected as one of the 22 best stories that appeared in American magazines in 1945 and it won the O Henry award for short stories in 1946. She continued to write short stories, many of them comic book stories, and regularly earned herself a weekly $55 pay-check. During this period of her life she lived variously in New York and Mexico.

Her first suspense novel 'Strangers on a Train' published in 1950 was an immediate success with public and critics alike. The novel has been adapted for the screen three times, most notably by Alfred Hitchcock in 1951.

In 1955 her anti-hero Tom Ripley appeared in the splendid 'The Talented Mr Ripley', a book that was awarded the Grand Prix de Litterature Policiere as the best foreign mystery novel translated into French in 1957. This book, too, has been the subject of a number of film versions. Ripley appeared again in 'Ripley Under Ground' in 1970, in 'Ripley's Game' in 1974, 'The boy who Followed Ripley' in 1980 and in 'Ripley Under Water' in 1991.

Along with her acclaimed series about Ripley, she wrote 22 novels and eight short story collections plus many other short stories, often macabre, satirical or tinged with black humour. She also wrote one novel, non-mystery, under the name Claire Morgan , plus a work of non-fiction 'Plotting and Writing Suspense Fiction' and a co-written book of children's verse, 'Miranda the Panda Is on the Veranda'.

She latterly lived in England and France and was more popular in England than in her native United States. Her novel 'Deep Water', 1957, was called by the Sunday Times one of the "most brilliant analyses of psychosis in America" and Julian Symons once wrote of her "Miss Highsmith is the writer who fuses character and plot most successfully ... the most important crime novelist at present in practice." In addition, Michael Dirda observed "Europeans honoured her as a psychological novelist, part of an existentialist tradition represented by her own favorite writers, in particular Dostoevsky, Conrad, Kafka, Gide, and Camus."

She died of leukemia in Locarno, Switzerland on 4 February 1995 and her last novel, 'Small g: a Summer Idyll', was published posthumously a month later.

Gerry Wolstenholme
July 2010

The Wager by David Grann

     Rating 4⭐s You can buy The Wager.... Here You can find out more about David Grann... Here The blurb... On 28th January 1742, a ramshack...