- The Blurb...
- Our Review...
- Selected Quotes...
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They say a Welshman’s word is worth spit in the wind. And they are right, lad. An oath given to an enemy is made to be broken; we understand that. We use what weapons we have available to us, and when we fight, we fight on our terms, not theirs.
I do not mean to offend you, but the Welsh have been given little reason to love the English.” Joanna had never thought of herself as English; in fact, to one of Norman-French descent, that qualified as an insult. She did not quibble at Adda’s inaccuracy, however, realizing that to the Welsh, the distinction drawn between Norman and Saxon was irrelevant.
it would be a drawn-out, bloody, and brutal war. Wars with the Welsh always are. They disappear into inaccessible mountain retreats, phantom foes we cannot find. But they have no trouble finding us, my liege; they excel at ambush, at surprise attack and counterattack upon the morrow. There is no glory in wars against the Welsh, only blood-spattered rocks and shallow graves, and once you win, you find precious little for the plundering.
A scar signifies past pain, a wound that did not heal as it ought. But it testifies, too, to survival, breila
You can’t ask people to give up personal, tangible comforts for some ethereal ideal. That’s why communism failed. That’s why all those primitive, hippie, “back to the land” communes failed. Selfless suffering feels good for short crusades, but as a way of life, it’s unsustainable.
It’s great to live free of the other sheep until you hear the wolves howl.
Siri, what can I eat here?” I don’t know what made me feel worse, that I suddenly didn’t have the world’s knowledge in my pocket or that up until that moment, I’d always assumed I was entitled to it.
Injury turns you from a giver to a taker. Taking up our resources, our time to care for you. That’s why most weapons of war are designed to injure instead of kill. Wounded are more of a drain than the dead.
Like a tree in the forest, America doesn’t hear foreign suffering.”
They all want to live “in harmony with nature” before some of them realize, too late, that nature is anything but harmonious.
Rating 3.5⭐s
You can buy The Defence...here
You can find out more about the author...here
I am quite a lover of courtroom drama, the ultimate battleground of good v evil, and ex lawyer Mr Cavanagh does not ever fail to deliver an intriguing, twisty battle throughout this book. In addition to the good v bad he adds double jeopardy in the form of consequences (death for Eddie, his daughter and everyone else in the courtroom) and a limited time frame. Like diffusing a bombing as its counting down. You can really feel the pressure that Eddie is under, the author never lets you take a safe breath.
Eddie uses his con man skills honed on the mean streets of New York and makes good use of his high powered contacts on both sides of the law to turn the tables on the pesky Russian gangsters.
Its a little bit cheesy in places, and over the top. As if you take a thought experiment to its extremes but its good OTT enjoyment. Would I recommend this book to a courtroom drama lover? Yes but go for the long haul. Read the whole series, which just gets better and better with every book as Eddies builds his ensemble of heroes.
This, for me felt like being a batman fan then reading his origin story. Do yourself a favour, do it right first time.
"Justice is blind, but it can still smell fear."
“Hustling an insurance company was like playing poker with Satan—his house, his rules.”
“You don’t need a bomb to win this case. You’ve already got one—I’m the bomb.”
Steve Cavanagh is an Irish author from Belfast and at the age eighteen he studied law by mistake. He is now the international award-winning author of the Eddie Flynn novels. His debut novel, The Defense, was nominated for the Ian Fleming Steel Dagger Award for Thriller of the Year, and The Plea won the Prix Polar Award for Best International Novel. Steve is still a practicing lawyer (someday he’ll get the hang of it) and co-host ofthe chart-topping podcast Two Crime Writers And A Microphone. He has been involved in several high-profile civil rights cases, his Eddie Flynn novels have been published in over twenty countries, he’s married with two young children, and in his spare time he is mostly asleep.
I am running out of superlatives for this series. I religiously follow only 2 series of books and the Occupation series is the only I have given 5 stars for every review.
Again its a murder mystery set in occupied Paris in 1940/41, but this time the investigation follows the murder of a local black marketeer who has been profiting at the misery of the starving citizens of Paris. Later another murder is committed linked to the Black Market. There are numerous plot twists and turns before Eddie can work out who the killers are. If the whodunnit plot were to be lifted from this novel and placed in a modern setting then it would still be a very good if not excellent mystery but the absolute beauty (and genius) of this book and the others is the setting.
Eddie is a good cop with a good heart but he is a bad man. . His situation is finely balanced like an elephant on a see saw. The crooks hate him because he is a cop, the citizens hate him because they think he is a collaborator, The Wehrmacht hate him because he may be resistance and the Gestapo hate him because well just because he's not a Nazi. The old joke springs to mind... It's not paranoia, if they really are out to get you, and the situation he finds himself in is akin to a paranoid's fever dream.
I feel I must give special mention to the first chapter mini spoiler alert coming. but not really a big one as its only about the first chapter. Act 1 Scene 1 Eddie wakes up in a sweaty underground room, parched and exhausted. He licks moisture of the walls.... Immediately the reader thinks prison cell. As the scene unfolds french people are encamped with him, the reader switches to thinking air raid shelter. Eventually it becomes clear the reason why he is there is something very different. The author cunningly guides us through this mini mystery tour with just descriptions of thoughts and feelings till you get a feeling of waking up somewhere where you cant remember from the night before. It's a very carefully thought out false trail, he intentionally gives us mental breadcrumbs to follow to lead us into the assumptions of "Oh he is in a prison cell." quickly followed by "Oh he is in an air raid shelter." The author knows what he is doing in planting the thoughts in our minds. False trails., obfuscation and frustration, he sets the tone right at the start of the book Wonderful example of an opening chapter.
Again the authors research is amazing. Actual dates, timings, events, processes, of occupied Paris, these are the things that he is good at. These are our black and white lines and the colour is added through Eddie and his emotions and thoughts through out his adventures. It is every bit a spellbinding mixture as Hilary Mantel's Wolf Hall, it's just that the era and country are different.
The feeling of oppression and never ending stress living under the constant pressure of an institutionally psychopathic regime makes for a teeth clenching, heart pounding read. I have mentioned before how Eddie is like a 1920s LA noir detective but thrust into an alien backdrop of occupied Paris. The narrative also reminds of Orwell's authoritarian hell-scape of 1894. The terror of saying the wrong thing, of thinking the wrong thing, of being the wrong colour or just being in the wrong place. How could you conduct an honest murder investigation in this world. An Eddie type would be your only hope.
Of course occupied 1940s Paris, or Orwell's 1984 aren't the only fascist games in town. Trump's USA is coming to the boil and it is terrifying. I'm off to buy some guinea pigs ready for the incoming world collapse and subsequent right wing terror. Oh guinea pigs? You'll have to read Banquet for Beggars. I promise you will never look at a guinea-pig in the same way again.
Another great book in a great series.
"Butter was the new cocaine."
"you know my boys Eddie. They wouldn't hurt a fly." "I know they wouldn't." She backed away to close the door. They'd be too fucking stupid stupid to hit it."
"This is not how we do things Judge." "This is how we do things now. This is an opportunity for France. A chance to sweep away the old." "You mean things like justice and law?" "Wasters and hopeless people. The ones who offer nothing and take everything." "I've got a few names for you."
Straight after graduating in Spanish and French, he hopped on a bus from Cardiff to Catalonia where he stayed for the next twenty-odd years, first in the small and beautiful city of Girona, then in the big and beautiful city of Barcelona. He’s also lived in Bilbao, pre-empting the Guggenheim by a good few years, and in Madrid, where his love of Barcelona football club deepened. During this time, he worked as a teacher, in educational publishing, as a travel writer and as a translator. He still spends part of his day translating lofty and noble academic and arts texts.
Besides this, he also lived in Grenoble for six months, where he studied the French Resistance movement, a far deeper and more complex subject than history often teaches us and one that has fascinated him for years.
He now lives in his native Wales, where he writes crime novels and translates stuff.
The result of his lifelong interest in World War 2 and resistance and collaboration in Occupied France, The Unwanted Dead (Orion) is Chris’s first novel set in Paris, featuring Detective Eddie Giral. The series will see Eddie negotiate his way through the Occupation, trying to find a path between resistance and collaboration, all the time becoming whoever he must be to survive the ordeal descended on his home.
He also writes the Elisenda Domenech series (Canelo) set in Girona, featuring a police officer in the devolved Catalan police force. The head of an experimental Serious Crime Unit, she fights the worst of human excesses in the most beautiful of settings.
When he’s not writing or trying to keep up with his reading pile, Chris loves travelling, languages, red wine, Wales and Barça at football, Wales at rugby, cryptic crosswords, art, rock music and losing himself in European cities.
He’s especially proud to be a member of the Welsh crime writing collective Crime Cymru, the Crime Writers’ Association and the Society of Authors.
A woman’s decomposing body. The Church of ‘Forgotten Souls’. A dubious priest.
Di Mandy Wilde has a new case on her hands.
Was the death natural? Can she solve the mystery under the critical gaze of her ex-fiancé, DCI Lucas Manning?
And who hated Barbara Vixen enough to kill her?
Barbara Vixen was dead long before the fireworks announcing the New Year exploded across the Cardiff sky. It was the second of January
You can’t charge someone for not caring enough. It’s not like a neglected child.
Damn. A boa constrictor couldn’t feel more controlling than Lucas hanging closer to her than spandex.
You try to poach my best detective, make him think you’re the best thing since bloody chocolate massage cream,
Hi, I’m Michael. I’ve done some bad things in my life, and I’ve been punished for them. Men punished me but God saved me. He made me see the error of my ways. Through the love of God and his son, Our Lord Jesus Christ, I have seen there is a different path. A path where I can do some good in the world and help others
As an only child she was a voracious reader and loved stories. Her father was a wonderful storyteller, encouraging her to tell her own stories and developing her love of oral stories. This was the inspiration behind her mini-book, Tell Me Another… Speaking and Listening Through Storytelling and her PhD on the effects of oral stories on young children’s language and imagination.
Jacqui has always been a writer but it wasn’t until 1997 that she started publishing her work with articles in English in Wales and then in the TES. A book for teachers, Exciting Writing, won the UKLA author award. As a former teacher and academic, she published and gave presentations on the value of story for children’s development.
After retiring from academia, Jacqui concentrated on more creative writing, attending classes and developing the craft. She had stories published in anthologies (Honno, MTP) and flash fiction online, and hidden in the depths of her computer are many other stories, a novel, novella and books for children. Like reading, writing is an obsession.
With her friend and colleague, Janet Laugharne, she has written a novel, What Lies Between Them, to be published in February 2022 under the pseudonym J. L. Harland.
Jacqui’s debut, The Nesting Place, was started in lockdown and the culmination of several different elements. It started with Katherine Stansfield’s excellent Crime Writing courses at Cardiff University, pre-pandemic. Then, during lockdown, a further course with Writing Magazine’s James McCreet, when the ideas began to take shape and the feedback from James helped with the process of producing the novel.
So sitting tight and calling the cavalry wasn’t an option, and wouldn’t necessarily have been a sensible move anyway. Sometimes, it was the cavalry you had to watch out for.
its garden wall, as tall as Max himself, was an ancient thing of overgrown rocks, held together by crumbling mortar and ambitious moss.
Always decide who’s to blame before anything goes wrong. It makes the subsequent investigation much simpler.
Unheard objections were like unacknowledged offspring: if no one knows about them, could they really be said to exist?
In 2008, inspired by world events, Mick began writing the Slough House series, featuring MI5 agents who have been exiled from the mainstream for various offences. The first novel, Slow Horses, was published in 2010. Some years later, it was hailed by the Daily Telegraph as one of “the twenty greatest spy novels of all time”.
The Slough House thrillers have won the Theakston Old Peculier Crime Novel of the Year award, two CWA Daggers, been published in twenty-five languages. He is also the author of the Zoë Boehm series, soon to be adapted into a major TV series starring Emma Thompson and Ruth Wilson. Mick is also the author of the highly acclaimed standalone novels Nobody Walks and The Secret Hours.
Immerse yourself in the poignant and powerful world of war with Ernest Hemingway's timeless novel, "For Whom the Bell Tolls." Set against the backdrop of the Spanish Civil War, this gripping narrative delves into themes of love, sacrifice, and the stark realities of conflict.
As the story unfolds, follow Robert Jordan, an American dynamiter, who is tasked with blowing up a bridge to aid the Republican cause. What drives a man to risk everything for a cause greater than himself? Hemingway's masterful prose invites you to explore the complexities of loyalty, honor, and the bonds forged in the crucible of war.
But here’s the question that lingers: In a world marked by chaos and uncertainty, what does it truly mean to be human? As Robert grapples with his mission, he encounters a cast of unforgettable characters, each struggling with their own demons, hopes, and dreams. The haunting realities of war blur the lines between good and evil, challenging perceptions and provoking deep introspection.
Experience Hemingway's exquisite writing style as he paints a vivid picture of love amid the horrors of battle. The evocative imagery and rich character development create a reading experience that resonates long after the last page is turned.
So if you love this girl as much as you say you do, you had better love her very hard and make up in intensity what the relation will lack in duration and in continuity.
Your nationality and your politics did not show when you were dead.
How could the ‘Inglés’ say that the shooting of a man is like the shooting of an animal? In all hunting I have had an elation and no feeling of wrong. But to shoot a man gives a feeling as though one had struck one’s own brother when you are grown men.
Dying is only bad when it takes a long time and hurts so much that it humiliates you.
In 1917, Hemingway joined the Kansas City Star as a cub reporter. The following year, he volunteered as an ambulance driver on the Italian front, where he was badly wounded but decorated for his services. He returned to America in 1919, and married in 1921. In 1922, he reported on the Greco-Turkish war before resigning from journalism to devote himself to fiction. He settled in Paris where he renewed his earlier friendships with such fellow-American expatriates as Ezra Pound and Gertrude Stein. Their encouragement and criticism were to play a valuable part in the formation of his style.
Hemingway's first two published works were Three Stories and Ten Poems and In Our Time but it was the satirical novel, The Torrents of Spring, that established his name more widely. His international reputation was firmly secured by his next three books; Fiesta, Men Without Women and A Farewell to Arms.
He was passionately involved with bullfighting, big-game hunting and deep-sea fishing and his writing reflected this. He visited Spain during the Civil War and described his experiences in the bestseller, For Whom the Bell Tolls.
His direct and deceptively simple style of writing spawned generations of imitators but no equals. Recognition of his position in contemporary literature came in 1954 when he was awarded the Nobel Prize for Literature, following the publication of The Old Man and the Sea. He died in 1961.
Hemmingway Quotes....